
The Hedgewitch Queen by Lilith Saintcrow
My rating: 3 of 5 stars
I give kudos to Saintcrow on doing a complete shift to a new world that is "soft and romantic" albeit still filled with fighting and violence (or the promise of it).
I struggled while reading the book, and I longed for the gripping immersion, the raw atmosphere and powerful characters of her paranormal action (and very adult) series.
I learned, while searching for books to read by this author, than anything labelled with the shortened version of her penname to "Lili" meant that the book was for "young adults." That's a bendy little phrase that should really be interpreted for "under 18 but old enough to know about sex and read about violence." The typical 18 year old or college-age student, or any adult older than that will probably be frustrated by the quality of this work.
The world building is very weak, and reliant on your existing awareness of Europe. Although she took great pains to create a new world, she rests way too much on assumptions of your understanding of fuzzy period piece movies or books you may have read. Her work lacks none of the same level of detail and world building, and ironically, where in her darker, edgier more violent books I'd literally jump paragraphs while she talked about "silver chiming" or "sparking blue" and the throbbing and pulsing of a demon scar in the same 5 ways every 8 pages, while it was overkill - she built the world THOROUGHLY. Leaving almost no detail out. So that it was so alive you could taste and smell it, even if she hit you on the head with it.
In this new series, everything is extremely superficial. She'll talk about the green velvet of her gown, but not the boning or the layers or corsets underneath. She'll mention the laces only in that her maid or her lover laced her up. She'll talk about "braids in the style of X" but not really talk about the X culture and what that looks like. She'll mention the "herbal earthy odor of a hedgewitch" - in her other books she'd have given you 19 different ways to describe those herbs and spices. In this novel, "herbal" and "earthy" and sometimes "green" is all you'll get.
Her romantic interest has one expression, one general mood. A far cry from her males in her other works, who are multi-faceted and much deeper. They are still not always terribly deep in her other works, since her strong female leads are her main skillset, but even here, the hero falls one-dimensional to what has historically for her been at least two-dimensional.
The language - as part of her world-building, is a pretentious cheat. The map at the opening of the novel is a map of Europe. She uses the stereotypes of existing cultures, takes root words for the names of their current ethnic groups or regions, and makes up slightly new versions of the names. Arquitaine is France, and she plays around with the French so the words are recognizable - if you already know French. If you don't, you might not care, but the words are scattered through as if someone were a French transplant in the US and occasionally throws the word in for dressing, not because they actually can't think of a word. It feels unnatural and definitely trying too hard.
Then, as others have mentioned (who strangely gave this book 4 stars), the book is very slow. It's very slow because, I will be honest - I do not think the author is at all moved by the setting, and you can tell in how she's handled her world building and the action within it.
She likes strong, physically vital female leads. She has instead created a softly wilting delicate creature, who, for the first book, is tested by physical trial and tribulations that cause her extreme duress - trials the modern day woman would generally be fine at the end of and maybe complain for a minute or two about afterward.
This lead's female is smart and gracious - her saving grace. She is also cunning, and conflicted about that cunning. This is a root character type for Saintcrow, but I think the setting she has created has either made her bored, or she is doing this just to see if she can, or because she has to tap some new market. As an author, I understand experimenting, so again, kudos to her trying.
All I know is - I kept reading because I had to, not because I really enjoyed it. I did it because it was a favorite author, and because plotwise, I hoped to see some dramatic shifts in the lead character's development. I did, but it's all a paltry shadow of her work so far, even her other fantasy pieces (which I like just as much as her urban fantasy, see "Steelflower").
I think this really belongs in Young Adult and recommend you read it if only to see for yourself, but I don't recommend it very highly.
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